Mesure d’audience ROI statistique webanalytics par. The Dallas-Arbiter Fuzz Face has been around since , and it shows no signs of dying any time soon. Through this design’s past you’ll find all kinds of different variations in the basic original circuit, from PNP Germanium to NPN Silicon, and a countless number of fuzz pedals that are based on it. One of the most notable Fuzz Face-based distortion pedals is my personal favorite The Fuzz Face has been played by almost every famous guitar player that has ever lived, and this trend will most likely continue for a very long time to come. What’s Inside The Germanium Years I think that this pedal’s longevity is due in part to its very simple design.
Forgot your password? She likes long walks on the beach and guitar cords in both jacks. Would anyone care to date her? There aren’t any pot codes that I can find, but the pots and jacks all indicate that they’re made in the UK, and the “smile” says “Dallas Music Industries, LTD” printed directly on the case no paper smile. Wow, I’d plug both her holes. However, I think the pots are probably original, because they both bear the same markings – made in the UK.
The neck is dated “22 March 70” and has a “B” style neck profile. The Dallas-Arbiter Fuzz Face pedal was an essential part of Hendrix’s sound. He had several.
Lee Hazelwood was an early pioneer of fuzz tone, it seems he had a fuzz box created by a radio station technician for use in the recording studio. This is one of the first instances of an electronic circuit being used to create a fuzz tone. Also recorded in was Marty Robbins track “Don’t Worry”, though it wasnt relaesed until January A faulty preamp on the console caused Grady Martin’s 6 string bass solo to come out very fuzzy.
The recording engineer was Glen Snoddy, he soon devised a way to replicate the sound with a transistor circuit and pitched it to Gibson. This would go on to become the Gibson Maestro Fuzztone. Also in , Red Rhodes built a custom one off fuzz box. The first chart-topping track recorded using a commercially available fuzz box was the Rolling Stones track “Satisfaction” using the Gibson Maestro fuzztone. Despite the availability of the Maestro Fuzztone, Dave Davies of “The Kinks” achieved his fuzz sound using an old school blues method, a torn speaker cone.
“dating..” in Classifieds in St. Catharines
Read the current issue of VG. He also fed a fashion for fuzz. Fuzz was nothing new. In fact, the search for good fuzz was long and proud. But these were crude solutions, not always repeatable on demand or controllable under fire.
Mar 24, – s Blue Dallas Arbiter Fuzz Face for sale. The original chorus pedal: the Boss CE-1 Chorus Ensemble dating from the mid to late 70s.
Following on from my first haphazard foray into pedal building with the Colorsound Power boost fiasco, I can safely say that it was frustrating, educational and entertaining in equal measures. To this end I’ve decided to start blog posts detailing my various adventures, and misadventures in boutique pedal building. A licence to print money really, and all you get is a pedal that is a copy of an old 70’s design, maybe with a few enhancements.
Take for example the Power Boost that you’re all familiar with by now. I’ve probably not told you much about myself up to now, so here is a potted history. I’ve been playing the guitar since I was 13, semi pro since I was 18, turned pro at Worked at various studios in and around London, did sessions, etc etc. Got out of the pro business when I met my wife, now i’m in Engineering as a Quality Assurance Manager for a motor sport company.
My interest in electronics started last year when I decided that I couldn’t afford to buy the pedals that I wanted So I decided to build them myself, however getting into electronics theory I’ve found to be a steep learning curve, but enjoyable.
DALLAS ARBITER FUZZ FACE – Late 60s – BC109
The Fuzz Face is an effects pedal for electric guitar , used also by some electric bass players. It is designed to produce a distorted sound referred to as “fuzz,” originally achieved through accident such as broken electrical components or damaged speakers. Arbiter Electronics Ltd. The earliest units used germanium transistors. Silicon transistors were used in later editions of the pedal.
Dallas Arbiter used both of these types in their Fuzz Face pedals. The silicons are fuzzier than the germaniums, and brighter. The silicon transistors have much.
It produces a characteristic high distorted sound called fuzz. Ivor Arbiter took the round shaped enclosure idea from a microphone stand and it was the first pedal including a DPDT stomp-switch. The effect became very popular because Jimi Hendrix played it and there were not many distortion pedals around at that time. The gist of the Fuzz Face remains in the simple circuit that uses eleven components 2 transistors, 4 resistors, 3 caps and 2 pots and the astonishing tones created with them; delivering a soft asymmetrical clipping that changes to hard clipping in both semi-cycles under the fuzz pot action.
Arbitrer Electronics manufactured the pedal from to , Dallas Music Industries did a final batch in , after that the production stopped. During its lifetime the pedal went through some minor cosmetic but major sonic changes. The fuzz face was re-issued from to In Dunlop took over the production selling the fuzz face in different flavors. This analysis covers the first Arbitrer Fuzz Face model equipped with PNP germanium transistors from the first releases which are considered the best sounding.
The Fuzz Face Models. Fuzz Face Circuit. Fuzz Face Input Stage. Fuzz Face Output Stage. Fuzz Face Global Feedback Network.
Dating from the late 60s – has BCCs. Required a new pot, jack socket – sounds stunning. Missing rubber tread from face. Surely one of the most iconic vintage guitar pedals, in excellent condition for its age. See detailed photos. We ship worldwide and we have special discounted shipping rates to continental USA and Canada.
The circuit board below has NKT transistors. Germanium Fuzz Face Circuit Board Here’s a schematic of the original Germanium transistor version of the Dallas.
This was original posted in Analog Man’s forum in Spring of I started working for Crest Audio in fall of One day while I was looking for parts in the one of the stock rooms, I came across a FuzzFace. It was blue, nearly two inches tall in height and it said Dallas Music Industries on the mouth. I put a battery in the FF and tried it out. It sounded like crap. At low levels, it didnt pass signal. If I hit the strings hard, I got a farting noise out of it.
Jimi Hendrix’s Guitars, Amps, Effects, Gear listed Chronologically
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Jimi Hendrix’s Stratocasters, Flying Vs, Marshall amps, and Fuzz pedals. a Marshall Supa Fuzz, Roger Mayer Axis Fuzz, and Dallas Arbiter Fuzz Face. at this point no one seems to have an exact date on (you can see the photo here).
Mobile friendly. Photo on the left is reproduced with kind permission of Stuart McDaniel. According to pedal-geek lore, Vaughan was a big fan of the TS version of the Ibanez Tube Screamer, but evidence in the form of stage photos, live videos, insurance documents and customs declarations reveal that the TS9 version of the Tube Screamer was his preferred choice from through most of the Eighties. Vaughan usually used his TS9 to provide a clean boost to his Fender Vibroverbs for solos, with the level control all the way up and the drive control set to relatively low gain.
Similar to a Leslie Model 16, the Fender Vibratone is designed for gigging guitarists and features a rugged, roadworthy cabinet covered in black Tolex. More importantly, the Vibratone is also designed for use with a standard guitar amp and features a guitar speaker that emphasizes crucial midrange tones instead of the full-range, two-way woofer and tweeter speaker array found in most Leslie cabinets.
Fender sold the Vibratone from through , and it is still considered one of the best true rotating speaker effects for guitarists. Stevie’s wah pedal was the Vox V that originated from the Sixties and had originally belonged to Jimi Hendrix. Stevie also owned several other Vox wah pedals and was apparently very fond of an early Seventies version with a Japanese TDK inductor.
Stevie collected several Fuzz Face pedals, and he would try several during sound check to choose the one he thought sounded best that particular day.
1969 Dallas Arbiter England – Fuzz Face
As far as electric guitars, Jimi Hendrix is mostly known for playing Fender Stratocasters. A few worth mentioning here is certainly the early s white Stratocaster — which was allegedly the only guitar Jimi had with him when he first came to England. But perhaps, the most notable of them all was the white Fender Stratocaster that Jimi played during the Woodstock festival on August 16, His acoustic guitars collection was however far more scarce.
Face Fuzz (based on Dallas-Arbiter Fuzz Face). Like the Amp Guide, this PDF guide is more complete and up-to-date than the preceding forum threads.
Username or Email. Password I forgot my username or password. Keep me signed in. Clear the check box if you’re on a shared computer. Please enter your username, and you will recieve a new password for your account. Send me a new password. Recover Cancel. Individual Company. All solderjoint look untouched, no changed parts, even the batterie-clamp is original. The Fuzz works fine, all functions have been checked and sound great.
Located in the little town called Maintal near Frankfurt , GuitarPoint has quickly become a good adress for guitar players, enthusiasts and collectors from all over the world. We are specialized in Highend-, Customshop and Vintage Guitars.
1967 Dallas Arbiter Fuzz Face – BC209C Excellent, $810.00
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Checked over/serviced by our pedal tech – in full working order- great-sounding example. Dating from the late 60s – has BCs. Board all looks original and.
V two transistor Tone Bender circuit, very similar to the Fuzz Face sound. This is probably the most well known version of the Tone Bender. Joe approached the manufacturing company Eko in Italy about making the Wah. Eko declined, but Eko’s manufacturing manager, Ennio Uncini , wanted to do it. Jen later marketed a line of pedals under their own brand beginning in It was sold around the world, and is usually the unit most people think of when they hear the name Tone Bender.
The most likely reason for JMI to use Italian production instead of continuing to use Sola Sound would have been that the mass production capabilities were far larger at JEN, and the Italian’s charged less than Sola Sound. Vox products were sold world wide, so capacity would have been the primary factor.